Apple grinds are not filtered out; they
cling to the capillary walls inside you,
speaking selfless confidence in your ears
during your wasteland-nights.
It slides off your skin into a patch of
snapdragons, blooming love-lies-bleeding’s…
tragic as white rose petals
in a red-gloved hand.
But it sits like sweat on summer afternoons,
contagious at the brim of your fingertips,
which handle and disperse dampened lust
on adept half-nights that haunt your life.
Flecks of fruitful passion dipped saccharine,
you do not understand the rushed roll of
kinetics seeping under veins
There's a reason why they're dipped in red
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Dear xanthan,
I hope you appreciate some in-line commentary.
Apple grinds are not filtered out(,)[;]( and) [they]
cling to (the insides of your )capillary walls [inside you],
(speaking )selfless confidence [fill]in[g] your ears
during (the most) wasteland(ish)[-]nights.
It (could )slid[es] off your skin into( a patch of)
snapdragons, blooming love(-lies-) bleeding’s…
(A)[a]s tragic as white rose petals
in a red[-]gloved hand.
But it sits(,) like sweat on (these )summer afternoons,
contagious (on the )[at the] brim of your finger(tip)s,
which handle (and disperse )dampened lust
on (these )adept half-nights that haunt you(r life).
(Flecks of f)[F]ruitful passion dipped (in )saccharine,
(can )you [do] not understand the rush(ing)[ed] roll of
kinetics seeping (under) [into (y)our] veins(?)[.]
(There's a reason why )they(’re) [are] (/) [dipped in red
for a reason.](dipped in red.)
Nay, only for true believers.
Doubtless, some kind of comic book text stimulated this. A lot of stage smoke and thunder courtesy a bottle of spirits of ammonia and a big garbage can.
Good job and good luck,
Brad
Never?! Google T. S. Eliot - look for the Bartleby.Com anthology. His poem "The Wasteland" is very long, at times obscure, and utterly worth all the brain-strain it takes to fully understand it. ^_^ And I know what you mean about a dearth of critiques - though I've really enjoyed a great majority of your poems, at least the ones I've read.
I have no idea who Elliot is. I'll have to look it up. Thanks, though, for the critique. Very useful. I don't get them often enough.
Fantastic ending, by the way. Full of symbolism and, despite the almost conversational phrasing, intensity. Or maybe density is a better way to put it. I feel like I could apply that phrase to many things, either literally or figuratively, using various parts of it as metaphors.
One note, though: in the second line, should 'you' be 'your'?